All five concepts share the same copy, the same palette and the same balanced fraction mark, so the only thing being compared is the design itself: how it feels to scroll, where the colour sits and how the fraction idea is drawn. None is a lead option. Open each one full-screen and use the pill in the corner to move between them.
Warm and editorial. Cream paper, ink type and clay accents, with the week built from clickable day tiles. The calmest of the five, closest to the feel of the logo documents.
Open Paper →Dark and bold. Ink background, outlined type, a faint fraction watermark and the week drawn as a tappable dial. The most dramatic, built to stand out in a property market full of white sites.
Open Ink →Structured and quietly confident. A Swiss-style grid with sticky section markers, the deep green doing the heavy lifting and the fraction typeset with the drawn slash. The most corporate-ready.
Open Field →Loud and warm. The clay takes over the whole canvas, with chunky type, hard shadows and a fraction you physically drag across the week. The boldest use of the brand colour.
Open Clay →Brutalist and typographic. Heavy uppercase headlines, ruled tables, outlined giants in the marquee and rows that invert to ink on hover. The most gallery-wall of the five.
Open Poster →